Narrative as story telling plays a part in my small
collages. Often there is a figure, and
they are in a place with some objects and there are words that contextualize
the emotion or the situation. Narrative
with my bigger works is within process which is what Stewart is talking about
on page 56 when she says, “The toy is the physical embodiment of the fiction:
it is a device for fantasy, a point of beginning for narrative.” Beginning with material or an idea and
building on that, trying new things, and making new decisions.
My large work can be viewed from 10 to the 0, the small
collages are mostly 10 to the -1, but some collages can be within the 10 to the
-2 scale, the size of a pinky nail. I
think about condensing a lot, and I think about relativity of sizes. Mostly I work small because the material I
cut comes from small sources. If I have
an interesting scrap of paper that I want to accent in a piece, I will make the
piece a size that is conducive to that so the other elements don’t take away
from it.
In this piece “Car” 2019 (Oil and paper on wood), the art it
its entirety is 4’ by 4’ but the collage itself is less than 1” by 1”, playing
with scale and breaking the elements down to the essentials. I had the blue car and I wanted it to prevail
over the collage and be noticeable among other collages. It was a challenge because of the size of it.
Also, I just found this picture of me making collages. It was at the very beginning - maybe my first 10 collages. This seems to be a good example of how the concept of scale gets warped in my practice.
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